Wiley Hausam, Director
Daniel Gurskis, Dean, College of the Arts
PEAK Performances presents
Photo by Naveen V. Raju
The Nrityagram Dance Ensemble
Khaṅkhaṇā
the sound of dancing feet
Thu., October 9, 2025, 7:30pm
ALEXANDER KASSER THEATER
Staff & Creative Team
Choreography and Sound Design Surupa Sen
Music Composition Pt. Raghunath Panigrahi, Pt. Bhubaneswar Mishra (Pashyati), Surupa Sen (SmritīRāngā)
Rhythm Composition Dhaneswar Swain, Surupa Sen, Rohan Dahale (SmritīRāngā)
Technical Director/Lighting Designer Lynne Fernandez
Dancers Surupa Sen, Pavithra Reddy, Anoushka Rahman, Daquil Miriyala, Namaha Mazoomdar
Musicians
Jatin Sahu Lead Vocal & Harmonium
Rohan Dahale Chants & Mardala (Percussion)
Parshuram Das Bamboo Flute
Siba Nayak Violin
Surupa Sen Manjira
Nrityagram www.nrityagram.org lynne@nrityagram.org
Running Time: 115 minutes including one 20-minute intermission.
Program
“Sankirtanam (a prayer)”
Dancers Anoushka Rahman, Pavithra Reddy, Namaha Mazoomdar, Daquil Miriyala, Surupa Sen
“Aakritī”
Dancers Pavithra Reddy, Anoushka Rahman, Daquil Miriyala, Namaha Mazoomdar
“Śrīdevī”
A dance in praise of the Mother Goddess—As we brave new journeys, we ask the divine presence of the Mother Goddess to light our path.
Dancers Pavithra Reddy, Anoushka Rahman, Daquil Miriyala, Namaha Mazoomdar
~~ Intermission ~~
“Pashyatī Dishī Dishī”
Dancer Surupa Sen
“SmritīRāngā”
Dancers Pavithra Reddy, Anoushka Rahman, Daquil Miriyala, Surupa Sen
Program Notes
Nrityagram, the land of red mud and birdsong, is our home and muse. For over three decades, this land has nurtured us, and we have poured our sweat, dreams, and art into its bountiful earth.
We invite audiences to journey with us across time to witness Khaṅkhaṇā: The sound of dancing feet.
We present highly acclaimed pieces—new and old—created by choreographer Surupa Sen, that showcase a unique sensibility of thought and movement.
Join us and soak your feet in the red earth of our land as we dance for a more hopeful future for our earth.
About the Dancers
“Sankirtanam (a prayer)”
Wandering minstrels sing and dance in praise of Lord Krishna... The lotus-eyed lord
with the flute in his hands
and a peacock feather in his hair.
The eternal lover,
the yogi,
the last refuge.
Protector of the universe,
he is the purest of all beings.
The only truth.
“Aakritī”: A submission to the inherently lyrical form of Odissi, this dance explores the various dimensions of its abstract, and geometric vocabulary.
“Śrīdevī”: A dance in praise of the Mother Goddess—As we brave new journeys, we ask the divine presence of the Mother Goddess to light our path.
“Oh mother! Supreme power of the universe,
grant us the vision
to behold you within.
From you comes all life
and into you we must all return.
At your feet
we offer our dance.”
“Pashyatī Dishī Dishī”: A poem from the Gita Govinda is interpreted through facial expressions (bhava) and gestures (mudra). Written in Sanskrit in the 12th century by the poet saint Jayadeva, the Gita Govinda is a romantic ballad about the immortal love of Radha and Krishna. It is a song of love and longing that reflects the Vaishnava belief that all humankind is feminine energy (Radha) constantly seeking union with the one male godhead (Krishna).
The Sakhi says to Krishna, who is intoxicated with love for Radha
“Oh Hari! Lord of the world!
Without you, Radha suffers.
She has braved her family
and the darkness of night,
to hasten through the forest to your secret retreat.
She searches longingly for you
and calls out your name. Incessantly sobbing
‘Why won’t he come? Why won’t he come?’
In her haste to unite with you,
she stumbles and falls,
making thoughtless turns.
She has decorated herself for you
and prepared a bed of love. Obsessed with thoughts of passion,
her body bristling with longing,
she waits to taste the nectar from your lips.
She has lost all sense of shame,
as she asks her friends again and again,
when will he come?
Oh Krishna!
You who come to the aid
of every devotee,
do not make her suffer –
she who loves you the most.
Hasten to her,
Radha awaits you.
All sense of shame undone.”
“SmritīRāngā”: An abstract exploration of a feeling perfectly encapsulated in the Welsh word “Hiraeth,” which embodies a profound, innate longing for a home, person, or time that is forever lost. At its essence, it is an awareness of the presence of absence, kindling a feeling in which pain and joy are braided together too tightly to untangle. Hiraeth is a link with your long-forgotten past, the language of the soul, a call from your inner self. Half forgotten—fraction remembered. It is always there. Hiraeth is the yearning of the soul to come home.
Memories are just songs
that like feelings,
have no definite path.
Colored and hued
from moments they lived in
and the people they touched.
Twisting and turning
they swirl deep inside us,
like the water we played in,
immersing us now and again
as we rise gasping for air,
or in ethereal moments
of love, freedom and ancestry.
We yearn for those moments,
in inconsolable longing,
desperately seeking
that which once was known
and can never again be.
A feather fleeting down the spine,
urging an awareness
of a longing,
for something, someone, somewhere.
SmritīRāngā
Dancing again in moments we want to live in.
Odissi
For centuries, a temple has looked out at a turbulent sea, its walls dancing a prayer to the rising sun. Magnificent ruins like these, in Odisha in Eastern India, confirm that Odissi was performed as far back as 200 BCE. Originally a sacred ritual dedicated to the gods, Odissi is one of the oldest dance traditions in the world. Its sinuous forms, languorous limbs, and rapt expressions frozen in stone tell of a past rich in dance, music, myth, and legend.
Odissi speaks of love and union, between human and divine, transporting viewers to enchanted worlds of magic and spirituality. Its sensuousness and lyricism reflect both the motifs of Odisha temple sculpture as well as the poetry from the deep wellsprings of Odia music.
About the Company
Nrityagram (which means Dance Village) is a community of artistes that strives for excellence while keeping alive and taking forward our living arts traditions. A one-of-a-kind community where dance is a way of life. A cultural landmark for Bangalore, India and the world.
Our founder, Protima Gauri, envisioned a dynamic place for the study, practice, and teaching of Classical Indian Dance, especially Odissi. Our mission is to nurture dance professionals through the gurukula system, perform on a global stage, and forge a community through outreach.
Our dance village is home to an open school and an internationally renowned dance ensemble, with a robust outreach program. Our dance pedagogy is inspired by the Gurukula, where students and teachers live together in an integrated environment of practice, theory, and discipline. Learning is a way of life, and students have a rare opportunity to imbibe the spirit of the Guru by living with them and observing them at work. Conceived this way, for over 30 years, we impart not only technique in dance, but nurture a philosophy of being that embraces holistic practice, mindful living and the pursuit of excellence.
The Nrityagram Dance Ensemble is regarded as one of the foremost dance companies of India. With over three decades of diligent practice, teaching, and performance, it has the unprecedented distinction of making the New York Times’ “Best Dance of the Year” list two years in a row.
Led by artistic director Surupa Sen, our Ensemble has achieved global critical acclaim, performing at some of the most notable theaters in 25 countries across five continents.
About the Artists
Surupa Sen (Choreographer, Sound Designer, Soloist) was the first student to graduate from Nrityagram. She began her Odissi training with the architect of Odissi, Guru Kelucharan Mahapatra. She also learned Odissi with Guru Protima Gauri, Guru Ratikant Mahapatra, and Guru Bichitranandan Swain. She studied Abhinaya with Guru Kalanidhi Narayanan and the Natyashastra under the supervision of Dr. Padma Subrahmanyam.
For over two decades, Sen has researched and expanded the dance vocabulary of Odissi, and developed an aesthetic style that distinguishes the dancers from the Nrityagram Gurukula. Attracted to choreography from childhood, Sen has focused on making new dances using an expanded Odissi language, rooted in traditional Odissi and the Natyashastra. She has a keen interest in music and rhythm composition and has worked closely with Pt. Raghunath Panigrahi since 1999.
Sen has choreographed eight full-length ensemble shows for Nrityagram: Śrī: In Search of the Goddess (2001), Ansh (2005), Sacred Space (2005), Pratimā: Reflection (2008), Śriyaḥ (2010), Saṃhāra (2012), Āhuti (2019), and Āhuti Relived (2022); three full-length duet shows: Saṃyoga (2012), Songs of Love and Longing (2013), and Aṅgahāraḥ (2025); three full-length solo shows: Yadunandana (2017), Vinati: Songs from the Gita Govinda (2021), and Madhuragati (2024); two virtual shows: Vinati, a solo for World Music Institute’s Dancing the Gods Festival, and Upadāna: An offering for the Jacob’s Pillow Dance Festival; and numerous dance pieces.
She received the Raza Foundation Award in 2006, the Yagnaraman Award from Sri Krishna Gana Sabha, Chennai in 2008, the prestigious Nritya Choodamani from Sri Krishna Gana Sabha, Chennai in 2011, and the Sangeet Natak Akademi Award 2018.
Sen is artistic director and choreographer at Nrityagram.
Pavithra Reddy (Dancer) lives at a neighboring farm and started her Odissi training in Nrityagram’s rural outreach program in 1990. She was the first student to graduate from Nrityagram’s rural outreach program. She learned Odissi under the tutelage of Surupa Sen and has worked with dancers and movement specialists from across the globe. Reddy joined the Nrityagram Dance Ensemble 1993 and has performed solo and with the Ensemble at some of the most prestigious venues across India and the world. In addition to being a full-time performer, Reddy teaches in Nrityagram’s residential and outreach programs and is the director of outreach activities.
Anoushka Rahman (Dancer) started her Odissi journey with Smt. Dona Ganguly in Kolkata and first visited Nrityagram for a Summer Workshop in 2018. She then continued her advanced training with Surupa Sen and Pavithra Reddy. Recognized for her talent and dedication, she was awarded the Virendra Kumar Laroia Fellowship. She has performed with the Nrityagram Dance Ensemble across India, the US, Canada, and Sri Lanka and was presented in a solo debut performance in November 2024. Rahman holds a Sangeet Bhaskar in Odissi dance and a postgraduate degree in Mathematics. At present, she is a dancer with the Nrityagram Dance Ensemble.
Daquil Miriyala (Dancer) joined Nrityagram’s Village Outreach Program in 2010 and became a residential student in 2011, where she trained in dance while continuing her academic studies. She has learned Odissi under the tutelage of Gurus Surupa Sen and Pavithra Reddy. Since 2021 Miriyala has performed with the Nrityagram Dance Ensemble across India, the US, Canada, and Sri Lanka.
Namaha Mazoomdar (Dancer) is a professional dancer and trainer, a theater director, and a storyteller. Her Odissi dance journey began under the tutelage of Guru Daksha Mashruwala in Mumbai. Since 2013 she has worked as a freelance dancer with dance companies in India and Singapore and has performed across India, Singapore, Australia, and Indonesia. She is also a qualified professional actor with a diploma from the Intercultural Theatre Institute, Singapore. She started training with Nrityagram in 2022 and joined the Ensemble in 2024.
Jatin Sahu (Lead Vocal, Harmonium) learned Odissi singing under the tutelage of Guru Ramahari Das at the Music College, Odisha. He lives in Mumbai and has worked with Nrityagram since 2008. He is also a concert singer.
Rohan Dahale (Mardala, Percussion) began his training with Guru Kelucharan Mahapatra and has continued to learn from Guru Banamali Maharana for the past 12 years. He lives in Mumbai and accompanies Odissi dancers from the region. At present, he is percussionist at the dance village and travels and performs with the Ensemble.
Parshuram Das (Bamboo Flute) is a disciple of Pt. Mohini Mohan Pattnaik. He graduated from the Music College, Odisha, and in addition to freelancing as a music accompanist, he teaches at Utkal University of Culture, Bhubaneswar. He has been with the Nrityagram Dance Ensemble since 2002.
Siba Nayak (Violin) has a postgraduate degree in Hindustani violin from the Utkal University of Culture, Bhubaneswar. He freelances as a music accompanist and has worked with the Nrityagram Dance Ensemble since 2018.
Lynne Fernandez (Lighting Designer, Technical Director) has worked as an actress and light designer with many notable directors including Barry John, Joy Michael, Ranjit Kapoor, and Lillete Dubey and was one of the first professional lighting designers in India. Her theater work has been presented at the Edinburgh Festival Fringe, in the West End and off-Broadway. She came to Nrityagram in 1993 as production and technical consultant to the newly founded Ensemble and stayed on as technical director. In 1997 she was appointed executive director of the Nrityagram Village, School and Ensemble. As executive director, she is responsible for administration, fundraising, and project development. Her recent projects include Kula, a residence where arts practitioners can live and create new work. She is presently working on building a performing arts center comprising a theater, an exhibition space, and rehearsal studios. She has also overseen the emergence of the Ensemble on to the international arena.
Special Thanks
Special Thanks to Surupa Sen and Uttara Asha Coorlawala. Surupa Sen is the artistic director of Nrityagram Dance Ensemble and training institute based in Hessaraghatta, Karnatakaand. Uttara Asha Coorlawala is a professor of dance at Barnard College and the curator of the Erasing Borders festival of Indian Dance in New York City.
Staff Credits
PEAK Performances
Wiley Hausam | Director
Taliyah Bethea | Marketing Assistant
Susan Case | Program Book Coordinator
Patrick Flood | Graphic Designer, Art Director
Martin Halo | Website Development
Michael Landes | Membership Coordinator
Amanda C. Phillips | Marketing Manager
Peg Schuler-Armstrong | General Manager
Blake Zidell Associates | Media Representative
College of the Arts
Daniel Gurskis | Dean
Ronald L. Sharps | Associate Dean
Christine Lemesianou | Associate Dean
Amanda Gonzalez Carcione | Assistant Dean
Zacrah S. Battle | College Administrator
Nicole Archer | Chairperson, Department of Art and Design
Shea Scruggs | Director, John J. Cali School of Music
Kathleen Kelley | Chairperson, Department of Theatre and Dance
Wiley Hausam | Director, Arts + Cultural Programming
Hillery Makatura | Director, Performance Operations
Patricia Piroh | Director, Broadcast and Media Operations
Megan C. Austin | Director, University Galleries
College of the Arts
Performance Operations
Hillery Makatura | Director
Cubby Terry | Facilities and Events Manager
Marlene Hamm | Interim Production Manager
Colin Van Horn | Technical Director
Kevin Johnson | Senior Production Engineer
Jason Flamos | Lighting Supervisor
Laurel Brolly | Business Manager
Jeff Lambert Wingfield | Box Office Manager
Jade Thomas | Patron Services Manager
Rayne Collins | Front of House Coordinator
Aboubacar Cisse, Abigail Drueding, Jacqueline Mancia Hernandez, Shantel Maysonett, Ashley Wallis | Lead Ushers, Season 2025–26
Andrea Armando, Riona Askins, Aboubacar Cisse, Jacqueline Mancia Hernandez, Audrey Lassanske, Shantel Maysonett, Ben Renfrow | Box Office Lead Associates, Season 2025–26
Coming Soon
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Film | Followed by Q&A with Philippe Petit
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PRESENTATION HALL
SCHOOL OF COMMUNICATION AND MEDIA
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THE SING-ALONG FILM CONCERT
FILM | Under the Stars, Live-To-Film Concert with Live Orchestra
Sat., October 12 @ 7:30 PM
AMPHITHEATER
In the event of rain, this performance will take place in Memorial Auditorium.
LAURA BENANTI
MUSIC | SINGER
Sat., November 16 @ 8:00 PM
ALEXANDER KASSER THEATER
QUEEN OF THE MIST
MUSICAL-IN-CONCERT
Book, Music & Lyrics by Michael John LaChiusa
Orchestrations by Michael Starobin
Directed by Kirsten Sanderson
Thu. & Fri., February 20-21 @ 7:30 PM
Sat., February 22 @ 8:00 PM
Sun., February 23 @ 3:00 PM
ALEXANDER KASSER THEATRE
QUEEN OF THE MIST is presented by arrangement with Concord Theatricals concordtheatricals.com
MANUAL CINEMA
FRANKENSTEIN
MULTIMEDIA PUPPETRY, LIVE MUSIC, FILM, THEATER
Sat., May 3 @ 8:00 PM
ALEXANDER KASSER THEATER
We respectfully acknowledge that Montclair State University occupies land in Lenapehoking, the traditional and expropriated territory of the Lenape. As a state institution, we recognize and support the sovereignty of New Jersey’s three state-recognized tribes: the Ramapough Lenape, Nanticoke Lenni-Lenape, and Powhatan Renape nations. We recognize the sovereign nations of the Lenape diaspora elsewhere in North America, as well as other Indigenous individuals and communities now residing in New Jersey. By offering this land acknowledgement, we commit to addressing the historical legacies of Indigenous dispossession and dismantling practices of erasure that persist today. We recognize the resilience and persistence of contemporary Indigenous communities and their role in educating all of us about justice, equity, and the stewardship of the land throughout the generations.
Programs in this season were made possible, in part, by the Alexander Kasser Theater Endowment Fund, PEAK Patrons, and the New Jersey State Council on the Arts.
PEAK Performances develops, presents, and produces a broad range of world-class dance, film, master classes, music, opera and music theater, talks, and theater in the Alexander Kasser Theater on the campus of Montclair State University for students, faculty, staff, and the general public. We are building community through live performance. PEAK Performances is a program of the university’s Arts + Cultural Programming Department.